“Languages and their associated artistic prose styles, like people, have personalities. Consciously or unconsciously, interpretation of a foreign literary culture involves comparisons even when one's aim is a simple exposition.
Western students of Chinese who are familiar with Latin and Greek learn to bring very different expectations to their Greek and Chinese sources: these are not prejudices or preconceptions, but expectations grown out of extensive experience with thousands of pages of ancient European and Chinese primary sources in the original languages. Greek prose style has an extroverted, communicative loquacity and personal expressiveness that tends to be much more subdued and implicit in Chinese. Extant Classical Chinese sources and the varying ideals of prose style to which they aspire have one prevailing tendency in common: they tend to be fundamentally, personally reticent and somehow delicate almost across the board. The colloquial crudeness of Aristophanes has no parallels anywhere in Chinese literature down to Ming times. Classical Chinese texts often came to retain a touch of reticent delicacy even when they rebelled against this reticent mode. Even pornographic prose tends to be less crudely and freely vernacular in its vulgarity than it is in Aristophanes.”
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