How to Write an Essay

h2>How to Write an Essay?

Looking for the answer to the question how to write an essay?  100 pages would not be enough to explain the process!  Speaking in general terms, essay writing starts with the analysis of the topic and thesis statement. Once the direction of essay is defined, your task is to gather supporting information, create the rough draft and organize your ideas.  Conclusion should present the summary of major findings.  The following short essay sample is provided here with the purpose to give you a primary on how to write an essay. If you need help with completing your assignment, do not hesitate to request professional writing assistance at our site!  We are open 24/7 and we do not decline your requests!

Custom Written Essay Sample

Begun by G. B. Vico, developed by Herder, applied by Mme de Staël, elaborated by Sainte-Beuve and Taine, the Romantic revolution in taste and appreciation was at the outset an appeal against the mechanical view that man's activities were caused by the play of simple basic instincts which any moralist could codify. It led, as time went on, to a new science, a "Scienza Nuova" as Vico had declared it would, and it sought allies in the systematic studies of man. On one hand it was literature, music, all the arts, poetic, creative, dramatic; on the other it was a renewed world of learning, opening up fields of philology, anthropology, sociology, new areas of history. The revolution affected every aspect of life, from religion and politics to the use of leisure time, and its monuments are all around us, in gardens, churches, the plans of towns, and the furnishings of our houses. It inspired speculation about origins and destiny, and it set a generation of young men on the path to a new knowledge of history and the condition of man.

Once freed from the classical notion that the business of art was the preservation of ancient forms, the commemoration of legend and history, literature developed in rhythm with the enquiring spirit of the age, radically different from the antiquarian temper of the professors of rhetoric, even in the Sorbonne. The poet could turn his attention to experience directly, without the need of seeking its expression by means of traditional models and vocabulary. He could approximate ever more closely to the known forms in which the cycle of birth and growth, reproduction and decay are cast; he could convey a sense of the universality of nature in the particular occurrence, with no preconceived idea of what that universality might involve. It is no wonder that the typical novel of this new tradition, Gobseck, Madame Bovary, Germinal, is a case history, the novelist a biologist, the typical hero more clearly perceived as an animal than as an immortal soul. The slant, once acquired, is not easily escaped; the idealists in reaction, Paul Bourget, Maurice Barrès, use naturalist techniques and justify a conservative and humanist political and philosophical position on biological grounds. They too stem from Taine and Claude Bernard, from Lamarck, Humboldt, and Vicq d'Azyr. The trend, as the nineteenth century drew to its end, was towards the analysis of consciousness into its components, the exploration of lower levels of perception and feeling, the discovery of what lay beyond the normal threshold of awareness in dream and trance.

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